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Original Title: The Swerve: How the World Became Modern
ISBN: 0393343405 (ISBN13: 9780393343403)
Edition Language: English
Characters: Ovid (Roman), Poggio Bracciolini, Lucretius
Literary Awards: Pulitzer Prize for General Nonfiction (2012), Andrew Carnegie Medal Nominee for Nonfiction (2012), National Book Award Finalist for Nonfiction (2011), James Russell Lowell Prize (2011), Cundill History Prize Nominee (2012)
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The Swerve: How the World Became Modern Paperback | Pages: 356 pages
Rating: 3.85 | 26016 Users | 2677 Reviews

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Title:The Swerve: How the World Became Modern
Author:Stephen Greenblatt
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 356 pages
Published:September 4th 2012 by W. W. Norton Company (first published September 26th 2011)
Categories:History. Nonfiction. Philosophy. Science. Religion

Interpretation Supposing Books The Swerve: How the World Became Modern

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book—the greatest discovery of the greatest book-hunter of his age—fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

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Ratings: 3.85 From 26016 Users | 2677 Reviews

Evaluation Out Of Books The Swerve: How the World Became Modern
This review has been revised and can now be seen at Shelf Inflicted (a Group Blog).Changed my life forever, did this book.Reposting the body of the review.***De rerum natura was a long narrative poem expounding Epicurean philosophy that was written in the first century before the common era. I am told by those possessed of sufficient Latin fluency to appreciate it that it is beautiful. I am not possessed of that level of fluency, and to me it seemed agonizingly impenetrable and obscurantist.But

Major disappointment, this book. First, the title and subtitle suggest that the rediscovery of the manuscript of Lucretius' On the Nature of Things had a major influence on Renaissance thinking. Greenblatt does not make his case on this, in fact, offers only the palest of evidence: a sentence here or there from a handful of Renaissance types. It's as though he came up with an idea, started doing the research, found out the thesis didn't wash, but wrote the book anyway. The misguided ideas about



Fascinating. A manuscript copy of a poem by the ancient Roman author Lucretius is discovered in a 15th-century German monastery by the personal secretary of a disgraced and deposed pope. The mans name is Poggio Basciolini and he is unusual for his time: driven by curiosity, when curiosity is not considered a virtue but a vice, fascinated with the ideas of ancient and pagan Greece and Rome, a dangerous hobby in Poggios time, heretical even. Lucretiuss poem, On the Nature of Things, is strikingly

The Anti-Climactic Swerve Greenblatt is a good story-teller and delivers good entertainment value here, but not much informative or educational value, except as an enticing short introductory to Lucretius, Bruno and Montaigne.As Greenblatt acknowledges, there is no single explanation for the emergence of the Renaissance and the release of the forces that have shaped our own world. Despite this awareness, he has tried to trace out The Swerve - of how the world swerved in a new direction by

However beautifully told--and it is--I think the main thrust of Greenblatt's history, that the discovery in 1417 of Lucretius's long lost poem On the Nature of Things changed the course of history might be a little overstated. We were going to arrive at who we are without Lucretius and I have reservations about saying the rediscovery of him and his philosophically enlightened poem by Bracciolini on the cusp of the Renaissance speeded up the acquiring of knowledge or helped beat back the tides of

Interesting book about the history of Roman poet Lucretius text On The Nature of Things and its rediscovery by Poggio the Florentine in the 1400s. I certainly learned a lot and enjoyed the storytelling for the most part. My one issue is that despite teasing out the influence that Lucretius had on Botticellis most famous surviving painting Primavera (Spring) (he is likely to have destroyed the twin painting Estate (Summer) during the dark days of Savonarolas reign of terror in Florence),

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