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The War of the End of the World Paperback | Pages: 568 pages
Rating: 4.22 | 8127 Users | 663 Reviews

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Title:The War of the End of the World
Author:Mario Vargas Llosa
Book Format:Paperback
Book Edition:UK / AUS / NZ
Pages:Pages: 568 pages
Published:1986 by Faber Faber Inc (first published 1981)
Categories:Fiction. Historical. Historical Fiction. Literature. Novels

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Practical Eschatology

At precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevsky’s plot by including all the celebrities from the original biblical stories. Who says history doesn’t repeat itself?

Mario Vargas Llosa’s The War of the End of the World is a docu-fictional account of the so-called War of Canudos and the events leading to it from 1877 to 1897. In Vargas Llosa’s account it doesn’t take much imagination to identify Antonio, The Counsellor, as Jesus; the revolutionary Scotsman, Galileo Gall, as St. Paul; the local administrative power, Baron de Canabrava, as Pilate; and the psycho-fanatic, Big Joao, as Judas. The Mystic, The Revolutionary, Satan, and The Betrayer could be playing out their cosmic roles rather than merely bit parts in a provincial theatre.

Antonio’s disciples (the wretchedly poor, the dispossessed, criminals, the psychologically needy), followed Antonio in increasingly large and militant groups as he roamed the Galilee of Bahia State. Wherever they went both plagues and miracles were reported, thus combining Old and New testament references. The disciples had no means of support but lived off the contributions of food and water offered in the villages they entered. Antonio preached and the band grew.

What he preached was a kind of repentance: the rejection of political republicanism and the return to monarchy (Brazil became the realm of the Portuguese king after the Napoleonic putsch of his country in 1807). The details of things to be held anathema were derivative: irreligion, taxes and the metric system. Let the Samaritans of the South in Rio and São Paulo have their republican apostasy, Antonio and his followers knew the joys of the true Kingdom of God (ruled by Dom Pedro of course) with its capital in Salvador. They resisted the forces of the state like the Maccabees at Masada. Their attack formation was that of a religious holy day procession; they used whatever weaponry available in close combat. They did not mind suffering casualties of ten to one for the cause.

Galileo Gall was the (mythical, unhistorical) Osama bin Laden of his day. He represents how the movement was shaped by cultural forces outside of Brazil and often quite opposed to the teaching of Antonio. Gall was persona non grata in his native Britain, jailed in Turkey, Egypt and the USA for proletarian agitation and unionising, and wanted for murder in France, in Spain, and in Portugal. His gospel was that of the anarchists Proudhon and Bakunin. Gall's anthropological vision was only slightly less radical than that of St. Paul. He was convinced that phrenology, the study of the shape of the head, told all. For Paul, only belief mattered, for Galileo it was hat size.

As with the movement of Jesus, Antonio’s went well at first. But success, as so often, was its own undoing. As a fiction structured around historical events, there is never any doubt that everything will end in tears and death. Vargas Llosa’s brilliance lies not in creating suspense about the outcome but about the development of the characters as they realise what they are themselves creating. For me this is the magic of The War of the End of the World.

It is also a rather splendid allegory of the early development of Christianity. Vargas Llosa's insertion of the Paul-character in the form of Galileo Gall suggests that he meant such an allegorical interpretation. The rebel who ensures both the dissemination and the distortion of the message of hope was an ideological as well as literary temptation he couldn't resist.

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Original Title: La guerra del fin del mundo
ISBN: 0571139612 (ISBN13: 9780571139613)
Edition Language: English URL http://www.faber.co.uk/9780571288632-the-war-of-the-end-of-the-world.html
Setting: Canudos,1897(Brazil)
Literary Awards: PEN Translation Prize for Prose for Helen R. Lane (1985)

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Ratings: 4.22 From 8127 Users | 663 Reviews

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The War of the End of the World is, after The Feast of the Goat, only the second the second Mario Vargas Llosa novel I have read. But I still feel mostly secure in saying that Vargas Llosa, more than any other novelist I can think of this side of Tolstoy, has a better and more intuitive grasp of the subtleties of politics. By this, I don't mean such politica machinations as electioneering and how a bill becomes a law. Instead, Vargas Llosa's writing explores the essence of the political

Practical EschatologyAt precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevskys plot by including all the celebrities from the original biblical stories. Who says history doesnt repeat itself?Mario Vargas Llosas The War of the End of the World is

Hailed as his masterpiece, "War of the End of the World" is... megadense. It churns inside the brain as it desperately tries to make sense of what is inherently senseless. The world of the fanatical Counselor versus the entire republic of Brazil is perhaps one of the most exciting and well-written war novels ever, on the same scale as "Gone With the Wind". There are many flavors here, like in most of his other denser novels, & all of them are exceedingly palatable. There are no "Green House"

There are books at which we arrive to too soon, books that are forced down our throats by well meaning instructors and friends, books that are passed on with loving grace and books that are clung to relentlessly for years. There are books of which we hear much yet never open and obscure books that catch our eye in a musty booksellers that swiftly become those items with which to cudgel our own friends. There are books that you forget minutes after reading and books that haunt your steps for

An extremely interesting book, brilliantly executed and conceived. It is clear that this is a writer of the first order, though I do not know (I doubt, actually) that the voice is representative of Vargas Llosa's other works. An historical novel, set at the end of the 19th cen., there is a certain archaism and hieratic nature in the writing which is appropriate to -- and which works, given the topic -- but which can, in the end, be fatiguing.The book explores a realm of moral ambiguity, and in a

That a "mad man" walking from village to village in the poor northeast of Brazil in the state of Bahia, during the late 1800's preaching to the poor the brotherhood of all, and the end of the world would cause the deaths of countless people, and shake the very foundation of the new republic ... is unfathomable. Since the abolition of slavery and the monarchy less then a decade ago 1888, 1889, many homeless slaves have nowhere to go or feel wanted anywhere, white farm workers no jobs, neglected

The story of a doomed catholic uprising in the sertao in 19th century NE Brazil. Flocking to the town of Canudos, drawn by the magnetism of the ascetic wandering figure known as the Counselor, a mishmash of freaks, murderers, bandits, mystics, communists and otherwise downtrodden masess begin an uprising against the newly formed Brazilian republic. Fearing the republics secular posture, the religious fanatics call for a return of the monarchy and prepare for the inevitable confrontation with the

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